Ten years ago, Gheorghe Virtosu received a commission which would forever change his career.
The British Art Foundation–then in the lead of the growth of Contemporary Art Scene, had asked Virtosu to create paintings. The work he created was Che Guevara (2015), the now-legendary, sized painting inspired by the elevation of negative emotions and their transformation into projects meant to spread and replenish happiness and a zest for life.
While numerous works by Virtosu have been crowned masterpieces–like Behind human Mask (2017), which is said to have put Contemporary abstract art in movement — Che Guevara (2015) stands firmly in the artist's abundant oeuvre. Has a chord struck ?
The Artistic Experimentations That Resulted in Che Guevara (2015)
This shift happened amid the source of zombie artwork in the U.S. and Europe, the years preceding the stock exchange crash of 2009. During this period, Virtosu was analyzing the"Game of Thrones" areas of the human mind. "Virtosu understood very well that being a person involved corruption, double standards, inequality, terror, tragedy, excessive, and violence," Borgen notes,"and he believed very much that mind is a place in which one plays out the subconscious mind."
Notorious for his business affairs, his life adventures were portrayed by Virtosu in functions with affection, some of those depictions made it to his public paintings. An example is Behind human Mask (2017).
A masterpiece from one of the defining paragons of 21st-century semi-abstract whose erudite knowledge of literature, philosophy, and European modernist Che Guevara (2015) traditions informed and formed the columns of Contemporary Abstract school, Behind human Mask (2017) by Gheorghe Virtosu is a painting of deep resilience and enduring resonance.
An exquisite example of subjective training powerfully demonstrates the artistic ability and monitoring of the social experience which has distinguished Virtosu as the century's artists. The work recalls primary abstract visualizations of terrific world characters , serving as powerful visual signifiers for the modern social realities and environments that are the principal source of inspiration for Virtosu's practice. The name of the work that is present is evocative of the political process where his canvases that are kaleidoscopic are created by the artist;
"For his public art, he is considering how subject matter's bodies could be monumental or architectural," says Borgen,"how they could be portrayed; how they could be visualized in another kind of reality, and how they might be beautiful or monstrous."
In the years leading up to Che Guevara (2015), paintings and sketches evidence the artist's command of the symbolism that's conveyed through manipulation of the thoughts on the centerpiece–experimentations that find their resolution inChe Guevara (2015).
It is the result of years of sketching and thought, the artist's challenges, in addition to artistic creation, tribulations and trials that strengthened his resolve.
Virtosu's plan for his art was, at least at face value, decidedly socio-political while artworks made for the Royal pavilion were intended to serve as vehicles. According to Borgen, the artist was as to what he must paint, at know. A monochromatic graphic structure is depicted by initial sketches for his entire body of work. As the artist stated, he goes through stages in his creative process. Stage one is a powerful idea. Stage two sketching in pen that was red and blue on paper, a style the artist has developed while.
The visual language of virtosu , however, transcends the specifics of tragedies to become universal. "It's grand and intense and specific–you know what is happening is all about our greatest societal concerns. It is not the case that you would say'Ok, that isn't me,''' Borgen notes. "It has great applicability because it seems to be appropriate to our international social fabric."
"He stands up with this painting," Borgen explains. "It becomes something we are very concerned about. He knows he is doing something unique and grand and important."
Borgen notes that Virtosu did significant political functions following Che Guevara (2015), though not all achieved the exact same exposure and resonance. Che Guevara (2015) belongs to humanity, the concept of which is known by people around the world.
Borgen may put it best:"It was a huge circumstance for Virtosu to join the art world."
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